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The Secrets of the Sword Alone: Henri Sainct Didier’s Traicté

October 11, 2017 by Guy Windsor Leave a Comment

We are delighted to announce that Henry Sainct Didier’s beautiful and comprehensive treatise from 1573, Traicté contenant les secrets du premier livre sur l’éspée seule (Treatise containing the secrets of the first book on the sword alone), is ready for you to download in full colour (at 670mb). The book is lavishly illustrated with 64 woodcuts showing sword techniques, being demonstrated by a Lieutenant and a Prevost. This is the earliest known treatise printed in French, and it is exceptionally rare: there are only 11 genuine copies known. Please click on the link below to get your copy.

 

You are welcome to the RAW image files too (at about 25mb per image), just contact us and we’ll arrange to share them with you. The book is free, but you are welcome to drop some money into the (virtual) tin; once the book has raised enough money to pay for production costs, we will gladly produce an affordable printed facsimile. Please note that this book is in French!


I want this book!

Filed Under: New Releases

The True Principles of the Sword

July 31, 2017 by Guy Windsor Leave a Comment

Spada Press is delighted to announce that we have released the first of our National Fencing Museum collection treatises free into the world. Philibert De La Touche’s seminal work Traité de Vrais Principes d’espee seule (Treatise on the true principles of the sword alone), is now ready, thanks to the tireless work of Jim Alvarez, who cropped, rotated, ordered and exported the images. You can see the book here.

Filed Under: New Releases

Facsimiles in the works!

July 31, 2017 by Guy Windsor Leave a Comment

Some time ago we spent three full days at the National Fencing Museum with a decent camera and a book-photography rig, taking hi-res images of the cream of their amazing collection of treatises, with the kind assistant of James Hester, and Malcolm Fare (whose collection this is).

I have 122 gigabytes of raw images, that will in due course be processed into a more web-friendly format, and put online for free into the public domain to be used by anyone as they please.

We have Hope: New Method (1707), Fencing Master (1687), and Advice to his Scholar (1729).

We have McBane (1728), Viggiani (1575), Sainct-Didier 1573), De La Touche (1670), Senese (1660).

And we have goddam Thibault (1628).

Plus eighteen other treatises, dating between 1540 and 1838. The ones I am most excited about are Senese, Viggiani, and Alfieri. But having both the 1610 AND the 1629 editions of Capoferro is pretty cool too. Not to mention the marginalia, like this detail from this copy of De La Touche:

And this is only about 10% of the museum’s collection.

There is a huge amount of work to do to crop, order, rotate, enhance, and otherwise process these files, and if anyone with the necessary skills would like to help, please do volunteer.

Most of these are in Italian, English, and French. But Spanish? We got Spanish: Narvaez, 1672. Russian? We got Russian. Ficher, 1796. And this is an especially good week for German-reading historical fencers, because we have Schmidt from 1713:

This work includes fencing:

 

And even gymnastics, back when gym horses had heads and tails!

Note that these photos here have been heavily reduced in resolution to be transportable. The originals are breathtaking. I can’t do them justice in this format, but this close-up might give you an idea. Each photo is about 25mb in the raw format.

We have the 1600 Meyer.

 

And we will be uploading all of these for you to download free as soon as we can get them all edited and ready.

Filed Under: News

Medieval Modern Art

May 18, 2017 by Guy Windsor Leave a Comment

One of the many wonderful things about the treatises we publish is that when we show them to the general public, they can see how beautiful the artwork is. It blows them away. Part of what we are trying to do here is preserve and distribute great works of art.

I came up with the concept for this logo many years ago, but it is well known that I can’t draw for toffee. So the first version of our logo that the world saw was this:

Rob Simpson, a graphic designer based in Ipswich, took my crappy sketch and produced a top-quality line art version of it, exactly as we asked him to. (See here for my views on hiring freelancers.)

Then a mutual friend on Facebook put Nora Kirkeby in touch with me, as she was working on a translation of Fabris using my photos of my copy of Fabris’ Scienza d’Arme (which we will produce a facsimile of, just as soon as I can find a place to do it at the correct size). I saw on her Facebook wall that she was producing some amazing art in the style of medieval manuscripts, so I asked her to produce a version of the Spada logo. And this is what she did:

It’s quite different to what I expected: the colours. The white gold leaf (yes, real white gold leaf, just like the swords in the Morgan and Getty mss, only better as it won’t tarnish like they did). The wings canted over at an angle. The goddamn TEETH! It is so much better than what I would have got if I’d given her an exact brief.

And it is so exactly right for this venture. It’s hand made by an artist, following the forms of long ago, using traditional techniques. Perfect.

 

Filed Under: Uncategorized

Philippo Vadi is back!

February 28, 2017 by Guy Windsor Leave a Comment

This lovely facsimile went live today, and you can get it from Amazon US, Amazon UK, or order it from any bookshop with the ISBN: 978-9527157091 Not every online store stocks it, probably because it’s in Italian.

This is a pure and beautiful facsimile, with no translation, transcription, commentary or introduction; just you and the book. I’m rewriting Veni Vadi Vici at the moment, including a massively improved translation, but until that’s ready you must content yourself with this free copy of my first translation attempt.

And as if that wasn’t enough: I’m planning a reproduction of Meyer’s lovely 1560 manuscript, but am running into trouble with the print options. The trouble is caused by the format of the book- it’s landscape (wider than it is tall) rather than the more usual portrait (taller than it is wide). I’ve put together a summary of the options in this handy form— if you have an opinion, please share it with me there!

Filed Under: Uncategorized

De Arte Gladiatoria Dimicandi is ready for pre-order!

February 17, 2017 by admin Leave a Comment

Sat in the nerve-centre of Spada Press, perusing the print proof of De Arte Gladiatoria Dimicandi. 

Yes! you read that right. Vadi is in the works, and will be released on February 28th. This is a glorious little book, and we hope you love it!

You can find it on Amazon US here.

And on Amazon UK here.

And you can find it on any other book site by searching with the isbn: 9789527157091

Filed Under: New Releases

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